From there, Smart still provides a narrative that shows the importance of penning history without the sole testimony of the victors. Even the separation from the norm of centering our narratives around the White colonizer was unexpected but wholly welcomed. Even more impressive are the male characters, present and useful.Īs a Jamaican, accustomed to the works of White Western writers, the exploration of the culture without a glorified encyclopedia to break down its otherness (w.r.t. There is a cast of strong women, both main and secondary, that do not play into overt masculine traits to command respect. This book is an impressive example of how to present a matriarchal society without playing into a sort of caricature of feminism. Ira has a quick wit to match her quick reflexes while Jazmyne is calmer in her calculations and regal is her mannerisms.

It’s easy to muddle POVs when writing equally strong characters with intense motives and drive, but Smart manages a crisp distinction. Told from both perspectives, we see them form an unlikely alliance to get rid of a mutual threat. We follow two witches, Jazmyne and Ira, and how they fight on opposing sides of historical political tensions between Alumbrar and Obeah witches. But power is intoxicating, revenge is a bloody pursuit, and nothing is certain-except the lengths…įrom the first page, I was plunged into a vast and vivid matriarchal society with rich cultural magic set in a universe that is undeniably, uniquely crafted. Sworn enemies, these two witches enter a precarious alliance to take down a mutual threat. Jazmyne is the Queen’s daughter, but unlike her sister before her, she has no intention of dying to strengthen her mother’s power.

Iraya has spent her life in a cell, but every day brings her closer to freedom-and vengeance.

Witches steeped in gold review